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    <loc>https://www.norentrecords.com/house</loc>
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    <lastmod>2018-06-26</lastmod>
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      <image:title>News - OUT NOW</image:title>
      <image:caption>NRR79: FFH - "ZYKLON AND LEATHER" C16</image:caption>
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      <image:title>News</image:title>
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  <url>
    <loc>https://www.norentrecords.com/video</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-19</lastmod>
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  <url>
    <loc>https://www.norentrecords.com/hotline</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-05-31</lastmod>
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      <image:title>Hotline</image:title>
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  <url>
    <loc>https://www.norentrecords.com/list</loc>
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    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
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  <url>
    <loc>https://www.norentrecords.com/catalog</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-01</lastmod>
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      <image:title>Discography - NRR78: Hum of the Druid - "A Strange Export"</image:title>
      <image:caption>The first new recordings released since "Predatory Outlook," marking the 15th anniversary of the project, this has glimpses of similarly chilling melodic ambient music but runs a much wider spectrum of industrial noise, electro-acoustic, and pure dark experimental spirit committed to analog 4-track with edges exposed, created intuitively and with some kind of unspoken guidance only worth mentioning in vague terms because that's all I have anyway. In March 2018 I was preparing to record this album and remembered a phrase I had come up with earlier, "A Strange Export," and during a walk that evening the rest of the titles came to me in order. During the next week I recorded every night and this was the result, with only minor finalization taking place over the next month. After recording, I found a sketchbook where I had written "A Strange Export" in the previous year or two, then found another old sketchbook where I had written "A Strange Export" on the back close to 5 years earlier. I don't unconsciously write the same thing multiple times so the phrase seems to have had some ongoing significance that only necessitated use in 2018. The inside j-card features a large drawing scaled down also called "A Strange Export" that was created alongside the creation of its audial namesake. This isn't an explanation, just a description, and this album of dark spiritual industrial music speaks for itself.  -Eric Stonefelt 6/13/18  Edition of 100</image:caption>
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      <image:title>Discography - NRR77: Shea Stevenson - "Downcycle"</image:title>
      <image:caption>Downcycle is varied cut-up in the style of early noise acts like Eric  Lunde or Entre Vifs, by way of Alabama.  I really hate trying to describe my music..... most of my noise,  especially the cut-up though is strongly influenced by the constantly  changing environments of my childhood. My fathers schizophrenia  manifested in many ways but technophobia was a particular passion.  Every electronic device had a secondary purpose more nefarious than its stated aim. I *try* to bring out this character with sound like he  would by disassembling them then stack it up as proof but proof of  what? That George Bush was electronically murdering my family? Maybe.  Regardless, this is the sound of childhood summers wintering in  abandoned bus barns situated in parts that will remain undisclosed  within central Alabama.  -Shea Stevenson, 6/2/18  Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR76: Noise Nomads - "Palpable Menace"</image:title>
      <image:caption>Noise without slight of hand.  Edition of 100. Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR75: Gnawed - "Ruin"</image:title>
      <image:caption>Over the last decade, Gnawed has released a handful of extremely focused albums that have solidified him as one of the best contemporary death industrial projects. Sourcing field recordings from elaborate urban explorations and incorporating homemade electronics, Gnawed builds an atmosphere that is simultaneously meditative and cathartic. On “Ruin,” Richardson once again proves his work is most effective when presented in the full-length format. Patiently unfolding over the better part of an hour, “Ruin” weaves back and fourth through territory that is both vicious and somber with an impressive sense of restraint. This is by far one of the most fully realized and expertly crafted releases from the project thus far.  - Justin Lakes  Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR74: Total Mom - "We Fed the Pig My Music"</image:title>
      <image:caption>1. Hysteria of Dolores 04:22 2. Satan's Bees 02:05 3. Child.jpg 03:41 4. Uncomfortable 02:10 5. Sad Dad 02:31 6. Obscene Gesture 03:16 7. Scared of the Internet 01:52 8. Forcibly Removed 09:24 Total Mom is hyper/abrasive harsh noise from a 16-year-old newcomer on the Providence scene. Don't let the rubbernecking novelty value mislead – this is a potent, varied, and fully realized release which demands serious listening. "child.jpg" and "Sad Dad" will be among the most damaging screech to cross your deck this year, while the clobbering yet spacious album closer "Forcibly Removed" demonstrates the confidence and maturity of a veteran sound artist. When asked to comment on his music, Total Mom instead provided the following thoughts composed by his younger sister: Total Mom does not deserve the space these tapes will take up in the world. Instead of an awful abomination betraying everything music is supposed to be, a boxset of Seinfeld or a musical birthday card could exist. With $10, you could buy a pizza, or your friend a pack of clicky pens, or your dog a nice bone (because it’s what he deserves). Instead, you’re seriously considering throwing it away on the dumb noise a 16 year old (whom I suspect to be simple minded) claims is "music." If you buy this tape, you will regret it. Your grandson will feel the shame of it, and so will his grandson, and his grandson, and his grandson, until everyone with half a mind left has uploaded their brain onto a hard drive, no longer has a physical body, and music is a long lost art. Do not make this mistake. Sibling rivalry aside, No Rent fully stands behind Total Mom and We Fed The Pig My Music. After all, the children are the future. Bandcamp</image:caption>
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      <image:title>Discography - NRR72: Amanda R. Howland - "Spider, Milk, Batshit, Silence"</image:title>
      <image:caption>1. Spider, Milk 08:54 2. Batshit, Silence 08:58 Amanda R. Howland recorded Spider, Milk, Batshit, Silence using all the gear in her living room. The summer sessions were no good, so she recorded again in October and November, always very late at night. The sounds come from the same world as Howland’s fiction and describe the encounters of a woman and her frightening, hypnotic teacher. They sit face-to-face in the hot dusty attic of a bungalow occult shop. The windows are covered with translucent white plastic. Later, the woman searches for her mentor in the basement of the house. The basement is stacked with filthy dented boxes from some long-gone family. The woman finds her teacher in a far corner by a door. They succumb to a circle of golden fascination in the coal room. Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR73: Cold Electric Fire - "The Alchemist: The Complete Recordings of Cold Electric Fire"</image:title>
      <image:caption>Bandcamp</image:caption>
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      <image:title>Discography - NRR70: Forest Management - "Biqui" C44</image:title>
      <image:caption>“1881. Poet and painter Rudolphe Salis invited a bunch of artists, musicians, performers, writers, satirist and intellectuals to his apartment in Montmartre, Paris. This became a weekly ritual with more and more people attending the party until it eventually spread next door. Of course funding such events got expensive, so Salis began selling drinks. What began as a party became a business, what Salis called a cabaret -- a medieval word meaning wine cellar or tavern.” Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR71: Howard Stelzer - "A Strange Object Covered With Fur Which Breaks Your Heart" C40</image:title>
      <image:caption>1. A Strange Object Covered in Fur Which Breaks Your Heart 08:53 2. Dressed in Heavenly Blue 02:48 3. The Historical Aspects Have Been Adequately Trodden by Others 05:07 4. And Joy 17:05 Howard Stelzer gives us the gold on his hilarious, depressing, confusing, frustrating and inspiring new album. "The aim of literature," Baskerville replied grandly, 'is the creation of a strange object covered with fur which breaks your heart.'" -Donald Barthelme Edition of 100 Bandcamp</image:caption>
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      <image:title>Discography - NRR69: Fecalove - "Anal Lobotomy"</image:title>
      <image:caption>1. Extreme Third Eye Prolapse 09:55 2. Mass Grave Sex Tape (soundtrack) 09:54 Ass-Centric Harsh Noise from Italy. Our 69th release. Edition of 100. Bandcamp</image:caption>
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      <image:title>Discography - NRR67: apologist - "houston"</image:title>
      <image:caption>1. spare change 04:35     2. absorbent 04:33     3. brush your teeth 02:01     4. coal to carbon 03:50     5. houston 06:44     6. cry baby 03:54 the model of punitive justice that my generation has adopted does not suit me. this tape is about me refusing to be angry. last passover, i was drugged and raped in houston, texas. this compelled me to finish recordings i had been working on for over two years. ethically and ideologically, i believe it is better to use the full weight of your experiences to create, rather than to exact meaningless vengeance. -rose rae Edition of 100 Bandcamp</image:caption>
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      <image:title>Discography - NRR68: Soaplands - "S/T"</image:title>
      <image:caption>1. The Birds Above Methadone Mile 02:23     2. Serotonin Jacuzzi Lust 01:56     3. Techniques of Religious Ecstasy 02:27     4. Godmode - Potential Immortality - Pure Pleasure 08:16 Recorded in Boston, MA 2016-2017 Mastered by James Plotkin Illustration by Shintaro Kago Edition of 200 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR66: Vanessa Rossetto - "Fashion Tape"</image:title>
      <image:caption>1. Sample Sale 11:31     2. Memphis Milano 03:12     3. Fake Cheese 04:21     4. Radiant Green 04:07     5. Measurement (ft Matthew Revert) 14:56     the clearest vision in modern experimental music. VR gives us another unassailable mixture of gallery schmaltz and diner grit. utter masterpiece by one of america's best, presented without hyperbole - jason crumer. Bandcamp</image:caption>
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      <image:title>Discography - NRR65: Lady Shame - "Problem Child ii"</image:title>
      <image:caption>Side A: Death of Lovers 10:59     Side B: Deep Inside 10:54 What does it feel like to sing a song about your new lover over music being played by your old one? "Problem Child II" is a lonesome yet defiant sophomore release from Lady Shame. It's willfully disorienting, recorded in a time of personal upheaval directly following a cross-country move; it never allows the listener to find footing. There are flashes of clarity where an illusion of a rhythm appears but lasts no longer than a couple of head nods or foot taps before the listener finds themselves back in the implacable fuzz.  Rewarding, replay-able, eminently relatable; this tape wipes the tears off its face, puts high heels on and walks alone to the dance party even if it has to repeatedly look up the directions in Waze.  Edition of 100 Bandcamp</image:caption>
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      <image:title>Discography - NRR64: Buck Young - "Proud Trash Sound"</image:title>
      <image:caption>C'mon everybody, it's the end of civilized society....so let's get a few things straight. When the economy collapsed back in the early 20th century, the American avant-garde was driven into academic caves and its composers imperiled and ridiculed. In response, Aaron Copeland's anemic Appalachian Spring eliminated America as relevant on the international stage. Until now... It has been 74 long years, so steal a few tall cans of beer, pull up an old crate or a worn out tire and start a bonfire with your roommates' crap. Add a reasonably functional cassette player and this is new American concert hall. Here lies an indulgent 'program,' in part memorializing a great American dead man, Murdoch. "Murdoch" is a tender dedication signaling the end of side A, allowing you a moment to bottle up your feelings (especially if in company) as you flip sides. In truth, it is Crumer and Sapphogeist, hiding behind Buck Young and Proud Trash Sound. There are pig grunts, scratchy man yodelings, pesky guitars floating around all the time, noise bombs, broads singing all about their 'troubles,' gunfights, grown men weeping into their drunk guitars, pedals and piano (save for Crumer, these are military men) and an epic love story, featuring 'Linda.' Trash Sound has a little Lejaren Hiller, a little '10 notes on a summers day'. These are outstanding sounds manipulated masterfully! As society and the art of noise unravel, its really nice to hear a few of the good ones who give a shit play their cards on the record....in America. -Tom Grimley, American, 2018 9 panel comic and cover art by Brian Blomerth Edition of 100</image:caption>
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      <image:title>Discography - NRR63: Muyassar Kurdi - "Travelling"</image:title>
      <image:caption>"Travelling” is the sonic foraging of New York based improvisers Muyassar Kurdi and Nicholas Jozwiak. Comprised mostly of the interplay between Kurdi’s phonetic incessantness and vocal toning with Jozwiak’s growling textures and tones on the cello and bass, the record feels like a searchlight in the dark spotting small holes or cracks in the aural landscape that Kurdi and Jozwiak gleefully hone in on and pile drive deep to create moveable foundations. At other times it feels more like a kind of exercise in echolocation, a calling out to the environment to see what kind of information they will receive in order better understand their surroundings and inform their future navigation. Overtones, microtones, raw gravel-y textures, wobbly phrasing along with pointed and sharp repetitions, volume fluctuations are all over this record with moments of Kurdi and Jozwiak following each other and then losing each other to eventually come back together again. “Travelling” is a movement through and through, an unsettling and a passing, an experiment in motion. Yet it is executed with such a fierce playfulness that is most definitely not about “getting anywhere.” In fact, after listening to this record you might question why you would ever consider settling down at all. Keep moving~~ and highly recommended. -Ka Baird Edition of 100</image:caption>
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      <image:title>Discography - NRR62: Koufar -"My Name Is My Name"</image:title>
      <image:caption>1. Sandnigger 06:17     2. My Name is My Name 06:58     3. Its All Fun and Games 07:47     4. Swing on Sight 04:48     5. May The Eyes Of My Enemies Never Rest 11:10     6. The Path of Duality 05:14     7. Inadequacies I 07:06     8. Inadequacies II 04:25     9. My Whole Life 04:28     10. That Moment in the Garden, Pondering Ones Own Crucifixion 09:45 All a man has is his name and its only as good as his word. Koufar brings us over 65 minutes of truly uncompromisingly aggressive power electronics. Much more hyper-personalized than previous efforts. Features antagonizing pieces from Peter Edwards (Interracial Sex) and Jim Haras (Deterge) as well as a dual vocal assualt with Brandon Hill (Plagues, Cloud Rat) on the B-side. - Jim Haras Mastered by Eric Trude Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR20: Radboud Mens - "Cycle"</image:title>
      <image:caption>A1    Motion    7:43 A2    An Enabled Chord    7:08 A3    Cycle    7:44 A4    White Colours    17:20 A5    Colotomy    7:31 B1    Movement    6:37 B2    Circle Of Fifths    6:58 B3    Circular Progression    16:28 B4    Cyclic Form    7:49 "Radboud Mens is someone I've known for about twenty years now, ever since he walked into Staalplaat and volunteered in our shop and later on did mail-order for us. In his early days he did some great noise that involved vinyl and a dog brush, later on some brilliant minimal techno (some of which I released on Audio.NL, a label which I ran in the late 90s/early 00s with Roel Meelkop and Peter Duimelinks) and a few years ago he had a fine, yet much overlooked ambient/guitar/laptop release 'Fitness Landscape', which he recorded with Dan Armstrong. Radboud just mailed me 'Cycle', his latest release, and he stretches out even more into ambient land here. Nine pieces of gentle sounds, made no doubt with the use of laptops and electronics; music that is not very obtrusive, but works rather along the lines of Brian Eno, 12K, Line and White Paddy Mountain - any of the latter three labels could have released this. Whereas much of the current wave of ambient music seems to be about processing acoustic instruments, it seems to me that Radboud uses primarily electronic sounds to create a similar effect. I might be wrong of course. This is some excellent ambient music to wake up to." - Frans de Waard Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR43: Yureka Cash - "Social Capital"</image:title>
      <image:caption>Yureka Cash's debut release is a glib and pedantic fagathon that falls short of the pretentious 1980's 'bedroom' genre it so longs to be. For fans of German Shepherds and Club Moral. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR45: Skin Graft - "Condition"</image:title>
      <image:caption>A1    Bind    4:34 A2    Dog    5:17 A3    December    3:36 A4    Caustic Attack    6:12 B1    Closed Fracture    6:28 B2    Jettison    3:33 B3    Figure    9:50 This is how loud it is in the gutter of the unfiltered world of night, gates down, the body in its box, with no control of sense, hearing screaming beating against its ears. This tells what falls, the circling afterwards, and how the wall is not protection. -- Mike Collino Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR10: Jason Crumer - "Blood and Tahoe"</image:title>
      <image:caption>1. Blood, 1 11:59     2. Blood, 2  11:29     3. Tahoe, 1 11:54     4. Tahoe, 2 07:28 Sparse, semi-musical ambient from trumpets and tape loops. Limited editing and long takes for maximum clarity. Inspired by Somei Satoh and James Tenney but with a more antagonistic, depressive logic.  Edition of 50 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR15: Blackfire - "Dormant"</image:title>
      <image:caption>Edition of 50 (out of print) Discogs</image:caption>
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      <image:title>Discography - NRR26: Stroker - "The Bitch"</image:title>
      <image:caption>A1    Tube Top     A2    Milk Bone     B1    Leash Law     B2    The Bitch New breed of Americanoise by way of Philadelphia. Rachel Slurr (of Heaven's Gate) gives us that low end crunch destruction and machine gun chug, that distort rumble devotees know and love so well. Full of constantly changing blown out textures that slither over a fucked out bed of distortion. Nasty tones for nasty people. - rodger stella Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR39: Bob Bellerue - "Piano Gaucho"</image:title>
      <image:caption>1. Damned Piano    33:03 2. Piano Gaucho     30:52 Piano Gaucho carefully develops Bob Bellerue’s tonal infatuation with rendering the piano into a demonic ingress. The piano functions as an essential frame for amps, speakers, mics, pickups, pedals, laptop, and 'guts' to negotiate and re-evaluate the fated instrument into a much more heinous sonic source. Bellerue’s experiments with the instrument mark time slowly against a rotating core of oscillating feedback — a cold, gradual pace that proceeds solemnly. Fascinated with the suspended tension of the piano strings, the pieces’ deliberate pace casts long, shadowy passages of sound — forgoing any rhythmic brutalism in favor of an anxiety that evolves within long intervals of empty space. The exorcised tones breed within these open expanses. Recalling the grim work of bass experimentalists such as Stephen O’Malley or blackened Scandinavian film scores — and all the images contained therein — Bellerue roots the instrumental role of the piano firmly within this space. A wicked piano music is revealed; his commitment to instrument’s sinister potential is total. Nick Scavo Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR27: Ama Divers - "An Echo in the Sound"</image:title>
      <image:caption>An Echo in the Sound is a transcendent collection of song writing and ambient studio production, featuring Renee &amp; Brian Mendoza Haran and Chris Girard. Named after the dying art of ocean-floor diving practiced by Japanese women, Ama Divers plunge vulnerably into cold depths and after enduring long, dark, breathless moments, return to the surface for air. Centered around piano compositions and vocal meditations written in the bucolic panorama of rural North Carolina, the backbone of this release was initially conceived by Renee Mendoza Haran, also notable for her vocals in the lush synth-punk group Ashrae Fax. Reflecting on the beautiful yet unforgiving ecosystem of wildlife in the area, the music takes on a prayer-like lamentation of constant growth, survival, futility, and death. She found animals feasting on one another and ensnared by the interventions of civilization, "thinking about human nature and how we are really winding ourselves into a place where the species may not be able to survive." Upon entering the studio, a system of delays and effects were assembled off of the mixing console in which Brian could process each instrument live in an improvisational setting. He steals moments from each channel going forwards and backwards, distorted, in and out of phase, all the while never drowning the delicate instrumentation with his washes of subtle noise and resonant drones. The piano and occasional vocals remain at the heart, with Chris Girard's fragile guitars supporting the atmospheres that shift gracefully from bleak to triumphant. Listening to this release, my ears end up in territory reminiscent of Eno's Music for Films, composer Henryk Gorecki, and the softer moments of both Tuxedomoon and Work/Death. This is a sort of listening that I crave and highly recommend to people of almost any musical preference. - Adam Morosky (Timeghost) Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR57: Ama Divers - "Shadow Seeking Sun"</image:title>
      <image:caption>Though the band does not attempt to obscure its influences (the band’s home studio is called Garaaji, for goodness sakes), these influences are never conspicuous, utilized more as points of entry than as blueprints. By utilizing indeterminacy and using their songs to draw attention to the very act of their creation, Ama Divers create a singular, experiential, and deeply personal music unlike any you’ve ever heard. - James Jackson Toth Edition of 300 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR59: Aether Jag - "Amaranthine Stretch"</image:title>
      <image:caption>A1    Ancient Flowers     A2    Rotting Kingdom     A3    Swallow the Sun     B1    Aurelia Aurita     B2    Pale Ichor     B3    Conduit     B4    Putting the Plastic On     B5    Black Flamingo Fragments of inter-dimensional debris float delicately around your head with lullaby shrapnel. Ancient future rites for those who've existed only in the looking glass, dying to be made real. Invocation of self and other. A vascillating bubble in the storm eye, a measure of self-protection, a shroud. The artist is very pleased to present this long-term portion of a life-long project.   Aether Jag is Bridget Venuti, this is her debut full length. Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR52: Zaïmph - "Transverse Presence"</image:title>
      <image:caption>Dark psychedelia synthesis, trance modulations, expansive drone, vocal extensions and haunting textures radiate on this beautifully recorded cassette. An installment of spontaneous composition, fragmented language, handshake chameleon presence and mirroring of urban landscape. Recorded in Brooklyn over a two night examination into the shadows of indefinite ethereal forms. Zaïmph is the solo project of Marcia Bassett. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR42: Yan Jun - "europe"</image:title>
      <image:caption>he Internationale    8:27 The National Anthems    8:55 ...Of People    7:09 For Andy    7:48 Border 1    3:00 Border 2    2:10 ...Of Others    10:08 NRR is proud to release Chinese experimental pioneer Yan Jun's new album 'europe.' Recorded in Germany during an artist residency at daad; his pure feedback predates the projected stoicism of certain types of American noise by presenting sounds that can rightly be called extreme without any hint of aggression.  After all is said and despite the overall seriousness of the proceedings Yan seems like someone you'd like to have drinks with.  An example of pure sound.  "Today I think it's always worth fighting against the spectacle machine: media, entertainment, mass will, political drama, etc. In the past I fought against it with the 'Declaration'. Today I fight against it by avoiding all kinds of declarations, since I have to end the logic of the dramatic illusion - which is the only thing you get from movements today." - Yan Jun, 2011.  for fans of: Zbigniew Karkowski, Prurient (2002 era) Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR28: Valise - "FE II"</image:title>
      <image:caption>"Ambient surveillance camera audio mixes with clinical perfume on this excellent new recording from Providence, RI's 'Valise'. Multiple tabs open on a browser of blurred and pix-elated dick pics and damaged Greek sculptures. The connecting tissue to all these obscure fantasies and abstractions is her voice, which resounds through a digital hall of mirrors to create something mysterious and strangely cathartic. While you lie parallelized in the hospital, a woman in a liquid latex bonnet slowly drinks her own urine while comforting you."  Carlos Gonzalez Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR16: Trogpite - "Wife and Kid"</image:title>
      <image:caption>1. Wife 17:44     2. Kid 17:44 Mess of tape loops, like, OMG, LMAO @ LAFMS.  Generally hypnotic, sometimes rough to the point of crappiness. A completely charming collection of euphoric, exultant looping.  Comedy is not pretty. Edition of 50. (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR31: Taeter - "Glorious Paraphilia"</image:title>
      <image:caption>A1    Special     A2    Anal Anthropology     A3    Everything Has Its Place     B1    Glorious Paraphilia     B2    Pigfucker     B3    Unnecessary Excess Beautiful Italian Power Electronics. Everything has its place. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR60: Slow Tongued Beauty - "The Absolution of Royalty"</image:title>
      <image:caption>A1    Narrative Of Ecstasy From The Faces Of Power     A2    Theater At The Bamcades Part II     B1    Paradigm Of Reaction     B2    Legerdemain (Drag Eloquence Into The Dust) Recorded on tne East Coast and through the rust belt in the immediate aftermath of a despicable political takeover, The Absolution of Royalty is a collection of sonic meditations that explore sentiment, dreams, and despondency amongst the encroachment of Authority. Slow Tongued Beauty is the electronic music project of Ryan Scott Kerr, based in Philadelphia. The name of the project is derived from a cryptic tabloid reference to the late Anna Nicole Smith. Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR34: Shredded Nerve - "Shredded Nerve"</image:title>
      <image:caption>A1    Voice Of Reason     A2    An Uncertain Future Stands Before You   A3    Inward Casting Outward     B1    Self Preservation     B2    Seven Hills     B3    The Same Dream (Face Changes When Alone)     B4    Rest Of Your Life     B5    Long After You've Gone n Justin Lakes' best release to date he takes us into territory beautiful and un-compromising. Lakes' particular genius of taking field recording and manipulations of everyday objects and exploding the mundane to reveal the hidden, radiant, doomed transcendence is married with elegiac tones and melodies to reveal a plane where beauty, pain, decay, joy and sadness hold equal footing and ranking.  An absolutely essential addition to the canon.  (from Drew McDowall)  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR13: Shredded Nerve - "Whatever It Takes"</image:title>
      <image:caption>1. Side A: Whatever It Takes 11:26     2. Side B: Subtraction and Consequence Never Going Back 12:12     Whatever It Takes is the newest effort from Shredded Nerve, the project of Ohio-born but New York City based artist Justin Lakes.  Focused and concise tape manipulations, dizzying synthesizer loops, low frequency mixer feedback &amp; field recordings of late night walks through unfamiliar New York City territory.  Maximum disorientation and a slow burning sense of dread. A purgatory-like state. An attempt to exorcise an overwhelming feeling of displacement and tribulation.  Some of the most impressive Shredded Nerve material yet. Absolutely essential.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR37: Sarah Hennies - "Everything Else"</image:title>
      <image:caption>A    Falsetto    20:00 B    Everything Else    20:00 The latest work from composer Sarah Hennies is percussion in the sense that a contemporary definition of “percussion” has the potential to include almost anything that isn't already defined as some other instrument (cello, piano, clarinet, etc.).  Hennies draws parallels between queer identities and being a percussionist in that both are most often defined by what they are not. The two sides of the tape are 20-minute blocks of sound/activity seemingly without direction. A-side “Falsetto” is for “low-quality” bells found at thrift stores and flea markets while the title track explores a harder-to-define space. Edition of 200 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR53: Scant - "At Fault"</image:title>
      <image:caption>Like ivy encircling a plaster column, sounds materialize and disappear so slowly that they're only noted once suffocating. A search for understanding and self-reckoning on the periphery of dark ambient and harsh noise.   Scant is the solo project of Matt Boettke, first solo release in nearly 3 years. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR18: Sapphogeist - "Sapphogeist"</image:title>
      <image:caption>A1    Ultramortal     A2    Sacred Nation     B1    Pedigree     B2    Anklophobia     B3    A Lie Sapphogeist is the solo project of Zoe Burke who you may know as the author / illustrator of the comic Sanpaku Rose or as "Cheetah" from Reverse Baptism. We are proud to issue this, her stunning, fully realized debut. Sapphogeist crafts a poetry of extinction that's both distant and intimate, elegant and fleeting, delicate and heavy on this debut; one of the strongest in years.  Art by Zoe Burke, design by V Manuscript.  Two Editions of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR30: Vanessa Rossetto - "Adult Contemporary"</image:title>
      <image:caption>A1    Interiors    8:30 A2    Adult Contemporary    11:31 B    Palisades    20:02 Adult Contemporary is a swarm of hands fighting to hold moments before they slip away into half-remembered histories. In the layer upon layer upon layer of sound exists a dialogue with the passage of time that is as impassioned as it is funny and discomforting. Rossetto captures fragments of world and stitches them together into the song it demands.  (Matthew Revert) designed by Matthew Revert mastered by Jason Lescalleet Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR48: Matthew Revert - "Illness Seminars"</image:title>
      <image:caption>Plaster Suits     Water Breaks     Apple Sinks     Move To Bed On Matthew Revert's new album 'Illness Seminars', one enters a space where accumulations of sound cluster around you, seemingly absolute and meaningful as you experience them, only to disappear as you proceed. The particular environment one is in might be a bar where people have refused to be quiet for the band and so the band refuses to actually play, and so one goes outside, comes back in, goes to the john, goes to the bar, has a drink, has a drink. No matter what, the listener has a sense that they and their choices are responsible for what is occurring on the tape. You cannot deny your responsibility. In this environment sound can be understood almost statistically, with location and frequency of occurrence denoting just how ill you really are. - Gabi Losoncy  Mastered by Jason Lescalleet  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR29: Relay For Death - "Anxiety of the Eye"</image:title>
      <image:caption>A    Anxiety Of The Eye     B    Western Sensorium Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR38: Purgist - "Secret Habit"</image:title>
      <image:caption>A1    Secret Habit    3:37 A2    Anchored And Bound    3:16 A3    Manipulative Fuck    1:25 A4    Dense, Deep, Broken    2:40 A5    Trust Issues    3:52 B1    Let Me In    3:44 B2    The Fire That Burns The Brightest Fades The Quickest    7:07 B3    Disassociate    2:03 Dynamically, Secret Habit deals in absolutes, performative guilt juxtaposed against personal atonement. Catholic overtones, sonically confessional. I listened to this in my office last week while reading internet erotica. Excellent cut-up noise release.  -Rose Actor-Engel  -----------  Purgist is Dawid Kowalski(Sleep Sessions) of Kielce, Poland. The project began in 2013, and has a broader scope than previous projects of Kowalski’s, being the first endeavor that he has toured behind internationally. This is the first American release of aPurgist tape.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR61: Pool - "Jim Day Upholsterer"</image:title>
      <image:caption>To Whom it may Concern, Regarding the Band “Pool” For Immediate Release From the Desk of Brian Blomerth Have you ever seen the movie, “Multiplicity”? It’s a great film. This tape would perfectly score that movie as an Opera. Wrrrrrrrrr goes the Lawnmower as Micheal Keaton clones himself to be stupider and more precise. (Mimicking the buzz of home cassette but more on this later…) Have some fun with that phrase. Merk it. Squeeze it. Whisper it softly in an acquaintance’s ear and they will surely be a friend for “Life.” Right before you go into the trash can to look for an ATM you hear your 42nd “Shave Sound” of the day. That’s the Pool. Alex “Nice Life” Tominsky isn’t fooling anyone on this recording, he’s simply stunning here as he is in his day to day life. His contribution of a wet pool noodle on a baking sheet is simply one for the ages. Now what about Ren “Giggling” Schofield? He contributes nothing but a warm smile. Christopher “Hi” Forgues adds his classic tenor of turning a lamp on fast and then slow. It’s truly incredible sonically. Then we have, Eric “Kissyface” Grieshaber who does an impersonation of a duck on this tape that will turn even the most cynical of listerners into staunch “duckheads”. Be the Mallard you want to see in the world. All in all…I learned something listening to this…the best/most terrifying ideas are best listened too on a riding lawnmower stuck in the snow. Appliances are God. Shave your brother. Play this at your next party where you convince your roommate he’s not real. *Dictated but not read, - Brian Blomerth Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR40: Paranoid Time - "All Knobs to the Far Right"</image:title>
      <image:caption>A1    Like I Wouldn't     A2    Heel/Face Dynamic     A3    Commital Feedback     B1    Crushing That Pisshole     B2    Come Down Stares Listen, there is nothing I can say to convince you to buy this tape, or that you would dig this tape. If you like noise, you might. I like it a lot. You may buy it, you may not. Chances are, if you are reading this, you have already made up your mind if you should buy it. I think you should. I also think that if you like noise, you should spend more time youtubing videos of people cold starting their Trabants, or big rigs jake braking on downhill roads. I also think you should stop whining about your tinnitus, and learn to embrace it. Yeah, doesn't really matter what I think you ought to do, does it? This is a new tape by Paranoid Time. It is noisy, grating, rough, and very good in the way Paranoid Time tapes usually are. ADD TO CART. BUY. -Tommy Carlsson Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR46: Okha - "Power Cannot Conquer Heaven"</image:title>
      <image:caption>A    Instant Of Chemical Recognition    25:59 B    Substitute For Philosophy    21:53 Sides flipped to preserve playback continuity. Originally released on CDr via Human Host (HH001) 2002. Edition of 100. Recorded live/no overdub 12/01 @ urschaum studio pornland, whoregon, uSa using feedback, radio, tapes, and broken turntable. Thanks: Jason Badrich, Brutalitim, Jesseparisitic, Droo, Eastriverdeathsquad, Mom&amp;Dad. Why would you want to release a 15+ year old noise tape, originally put out on cdr in 2002, in 2017, an era with plenty of brand new harsh noise? Well, sorry boys, because it's better.  The strength of this specific material was what got Okha on the Macro/Prurient split LP hospital put out forever ago (your best chance of hearing of them).  In this age of sound bite based politics seemingly seeping into music its nice to hear something committed to subtlety. You don't know what it is within the first 10 seconds of pressing play; it rewards loyalty and patience, where much modern noise seems to reward "whatever"-WORSHIP. To me this is a good thing. It changes in organic, unpredictable ways, not just quiet to loud / piano loop / drop off sigh. In this way Power Cannot Conquer Heaven is actually abnormal.  Proof that you can make long form, gritty, old school American brutality with experimental soul intact. Sounds killer on cassette to boot. - J.C. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:caption>A    Lost     B    Lament The latest of the many names used by Frans de Waard. A much more dynamic approach to sound, using very low end electronics, walkmans, and high end sound effects. As Modelbau he has played concerts in The Netherlands and Germany and released cassettes for Barreuh, Maneki Neko and Bookend Recordings as well as KormDigitaal. Live, he reaches for the super loud and the super quiet.  'Lifeboat' was recorded when preparing for his Spring 2016 Germany/The Netherlands tour, and works out ideas that were implemented in the live set, but expanded here into two fifteen minute compositions of minimal bliss.  For fans of zoviet*france!  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:caption>A1    Comfortable With GLONASS     B1    Comfortable With TsAGI "A meditation on the relationship between Eastern and Western aerospace engineering."  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:caption>A    This Week's Round    10:00 B    A Quick Visit    10:00 failed attempt to record the PennSTAR arrival/departure; failed attempt at impulse response capture, remains. cover drawing by graham lambkin. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR54: Peter Vincent, A.F. Jones - "Magnifico</image:title>
      <image:caption>“You create that space and now you can change that space…" The void that looms large over Magnifico is the death of Peter’s friend and collaborator Taylan Cihan, a musician and instrument-builder whose singular creations are featured prominently on this recording. In a twist that could easily devolve into a cynical meta-narrative about the unintelligibility of experimental music, Peter and Taylan describe the work as two close friends might, in a repartee at turns hilarious and heartbreaking. Taylan playfully mocks some of the sounds at one point, comparing them to “space chickens.” Formally, Magnifico collapses the interview—really, an elegy—into musique concrete and analog electronic chaos. The banter finds gravitas in the visceral and otherworldly sounds, which by themselves already have so much narrative built in. This is music that comes from survival instincts. For those of us coping with many kinds of loss, there is much to learn Peter’s impulse to find something sustainable from that which is designed to do just the opposite. - Jon Pfeffer A.F. Jones’s Invertida, the outward-facing counterpart to Magnifico, re-situates the listener more firmly as a subject existing with/in/side (of) a place, though this place is not bound by any universal perception of time. Both pieces are marked by disjunction and uncertainty - long tones and cyclical sound objects seem to accrue with every rupture, but every rupture threatens to erase any accumulation as well. In Invertida, a sense of ‘place’ gradually permeates the subconscious and radiates into being, fusing with the more indescribable aspects of sensation, supplanting the effect on the nervous system that any environment has and replacing it with sounds that appeal to the listener’s physicality. - Tyler J. Borden Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR58: Knurl - "The Closed Interval"</image:title>
      <image:caption>There Exists    9:43 Between Different Values    4:55 Luminous Flux    4:53 Foe Every, For All    9:53 An Unspecified Number    6:43 The First, And Higher Derivatives    3:25 Six new pieces of raw dense harsh noise noise recorded on homemade metal instruments by Alan Bloor. Real noise blaster for Mt. Noisemore!! - JC   Exquisite display of perfection from Canada's Alan Bloor, never faltering in quality as his extensive discography grows larger once again. Similar to the acclaimed "Metaphase" 2xCS on New Force's last year, Knurl's signature mix of cavernous empty patience and slabs of numbing harsh noise fill this tape with a delicate quality unmatched by his peers for over 20 years. Dedicated listening, for maniacs only. - Matt Boettke Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR33: Howard Stelzer - "Dawn Songs"</image:title>
      <image:caption>Composed/recorded to TEAC 4-track at the Hotel Amnesia (Lowell, MA) between the hours of 4am and 6am, Summer 2016. Sounds from passing cargo trains, birdsong, scrap metal, semi trucks, footsteps, nearby/faraway traffic and voices, dogs, cassette tapes played/re-recorded into empty parking lots and warehouse/factory spaces, etc.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR19: Horoscope - "Performance for Women"</image:title>
      <image:caption>1. Pinecrest Again 05:35     2. Performance for Women 11:20     3. Scales of Libra 03:10     4. Weighing Your Options 02:59     Tense and stylistically original balancing act between feedback filled power electronics and vaguely western (synth?) textural ambient music. A refreshing listen.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR50: Bordreuil/Rowden - "Hollow"</image:title>
      <image:caption>A1    No Name I     A2    No Name II     B1    No Name III     B2    No Name IV     B3    No Name V Scathing music favoring long, corrosive atonalities and fleeting noise walls. For fans of Morton Feldman and Richard Ramirez alike.  Leila Bordreuil and Zach Rowden met at a free jazz concert in 2015. Zach was wearing a Man is the Bastard bootleg T-shirt which acted as an icebreaker, and these two classically trained musicians started collaborating shortly after. “Hollow” is a culmination Bordreuil and Rowden diverse influences, ranging from improvised music, harsh noise, cold wave, existentialism and a common obsession for Spectral Music. All tracks are live improvisations on cello and double-bass, with no effects pedals and no cuts and pastes. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR32: How I Quit Crack - "Econo Creep"</image:title>
      <image:caption>Side A: Garmonboziamos A1    Bull Cries     A2    Lesson In Utility     A3    The Pain, The Pain     Side B: Euphorbia B1    Sacred Herbal Beers     B2    Deep Ecology     B3    Jadjude     B4    Autonomy And Privacy Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR41: Himukalt - "Vulgar"</image:title>
      <image:caption>Split    3:35 Not Exactly    5:01 Swollen Shut    5:42 Waste    5:51 Clockwork Biology    7:40 Interview    4:56 Want You To See Me    1:12 To Whisper Intent    6:21 For fans of Atrax and Genocide Organ. Edition of 100 (out of print) Discogs</image:caption>
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      <image:title>Discography - NRR08: Headband - "The Mask"</image:title>
      <image:caption>First official release from Headband, Duncan Moore's solo recording and performance project. 28 minutes of material recorded and assembled in Baltimore, MD Spring, 2015 using reel to reel tape and computer processing.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR21: Gerritt Wittmer - "Unknowns"</image:title>
      <image:caption>Created by Gerritt Wittmer 2008-2014, the first 5 minutes of side B contains sounds from J. Crumer. Edition of 100 (out of print) Discogs</image:caption>
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      <image:title>Discography - NRR51: Gunther Valentine - "Music for the Anthropocene"</image:title>
      <image:caption>Dystopian synth from the fringes of organized society.   for fans of: Conrad Schnitzler, Coil and Maurizio Bianchi Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR44: Graham Lambkin - "Two Points on the Angle"</image:title>
      <image:caption>A    The Criminal Waves    18:41 B1    Men Do The Cutting    4:41 B2    Wind Without Walls    13:59 Three perspectives on love, loss and unity, narrated by Willsad (Acapela Group):   Featuring: Graham Lambkin: voice / percussion Adris Hoyos: voice / cooking José Perez: voice/ playback *featuring dialog from John Curran's 'Tracks'   Edition of 200 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR47: Samantha Glass - "Introducing the Confession"</image:title>
      <image:caption>First Stairwell    4:01 Paradise Type 2    5:49 The Mechanics Of Patrol    4:07 When To Turn The Key    3:59 Leaning Rail    5:31 Personal Witness    4:03 "Images of despair, romance, loneliness (love) as concepts in modern electronics can emerge rarely, if so can seem daunting (forced).  Madison, Wisconsin based artist Samantha Glass' personal works, on the contrary, have through the decade planted human emotion and now truly blossomed as "Introducing the Confession". Much like a "Pelléas et Mélisande" (more like a "Garlands") these heartstrings pull naturally toying with thoughts of fate, gender, interaction. Devereaux weaves gothic march songsmithing with signature dark ambience and sound collage seamlessly. One of my favorite pieces. This is the introduction."  - Collin Gorman Weiland. Shinjuku, Tokyo.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR11: Gene Pick - "Grays Ferry"</image:title>
      <image:caption>1. Side A (Pathmark) 10:04     2. Side B (Behind the Pathmark) 10:34 "Cyclical modular filth from this complete and utter maniac. Crude &amp; dense noise juxtaposed with high frequency punishment. The sonic equivalent of looking Duke in the eyes. " Christopher Hansell - Ligature Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR12: Gagu - "Improvisations 2010"</image:title>
      <image:caption>When I asked seasoned free-noise performer Lucas Abela (Justice Yeldham, Australia) to submit a tape to NO RENT I half expected a recording of one of his no holds barred glass shattering performances. Instead he surprised me with a collection of micro improvisations titled ‘Gagu’, which were recorded in Yogyakarta, Indonesian five years ago with Rully Shabara (Senyawa / Zoo, Indonesia) and Ramberto Agozolie (Zoo, Indonesia).  The Gagu (meaning mute in Indonesian) session was initially set up as a collaboration between Abela and the Indonesian punk band Zoo but unfortunately (or not considering the results) the remaining two members of Zoo were not able to attend. So the glass/vocals/drums trio forged on and laid down these twenty-eight frenetic tracks that bridge between, free jazz, dadaesque poetry and abstract noise.  Lucas Abela www.dualplover.com/abela/  Senyawa senyawa.tumblr.com  Zoo zoo-indonesia.blogspot.com.au  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR17: FFH - "Symbol to be Forgotten"</image:title>
      <image:caption>A1 - New Capitol     A2 - David     B1 - Saturation     B2 - Goodly Heritage     American revisionist power electronics.  First release since 2013's great "Make Them Understand" LP on Hospital. FFH's come back hits new territory and stays recognizable. The vocals have the urgent, gutsy, desperate and raw delivery the project is known for while inching forward towards new ground.  Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR14: Jason Crumer - "Featherboard!"</image:title>
      <image:caption>1. Side A: Featherboard! 08:28     2. Side B: SK (KS) 08:42 Edition of 50 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR35: Faster Detail - "Phase Lock"</image:title>
      <image:caption>A1    Phase    3:49 A2    Chase Muffin    4:05 A3    Disk Cushion    4:15 A4    Hit Single    3:53 A5    Lonely Cloud    4:26 A6    Slug Window    4:29 B1    Laserwave    4:11 B2    Buy Them DJ Sets    4:23 B3    Last Star Fightter    4:35 B4    Text Talk    4:03 B5    No One There OK    4:39 B6    Lock    3:56 Anyone familiar with Alex Chesney’s musical legacy (Ashrae Fax, Gam Spun) will find in Phase Lock flickers of his previous projects that have been mostly hidden before now—rhythms strike harder, moods shift faster, and looks linger longer— with beats rooted in electro and acid house, spiraling arpeggios, and sharp melodic dissonance that serve as a backdrop for cogitative, Easter egg moments of harsh noise, Zef-like satire, and porcelain despair.  (from Renee Mendoza Haran) Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR24: Facialmess - "You Trip Me Up"</image:title>
      <image:caption>A1    Habit Of Thinking     B1    Pessimism Without Compromise The newest effort from Facialmess is an exercise in precision industrial noise that provides all the punches you have come to expect from the project, while growing horns in new directions. On "You Trip Me Up" Sanderson shows restraint and carefully builds environments that have only been alluded to with previous efforts. Taking a dive into deep ambience and heavy industrial grooves Facialmess pushes all angles further than ever before while still maintaining intensity. The attention to detail in his cold, calculated edits creates compositions that build to climax rather than unfurling a constant barrage of cuts and blasts. An essential release for any fan of modern concrete. - Justin Lakes Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR36: Network Glass - "100busy"</image:title>
      <image:caption>A    King    11:00 B    King    10:56 C    Untitled    5:55 D    Untitled    5:51 The conditioned method of comprehending audio, is in terms of music and narrative. Listeners take in auditory experience such as traffic, conversation, footsteps, white noise, etc and translate the information into musical language and referential narratives.  Audio has no reliance on musical language or narrative, in order to function and stimulate.  "100busy" has no musical purpose. There is no recommended method for listening to the audio on these cassettes. Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR09: Network Glass - "Network Glass"</image:title>
      <image:caption>composed audio without musical purpose.  Edition of 50 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR55: Bucket of Piss - "S/T"</image:title>
      <image:caption>I didn't want to put out a noisecore or shitcore or any kind of core related anything ever but this is the truly abnormal, big balled musical bravery I'd be a hypocrite not to celebrate. I just love it. This is what noise sounded like before it became a genre. Its funny; comedy gold sad at points, mean at points, and rapturous the whole time.   100% most pissed off shit this year.    This is the first full length from a hard working Chilean American meme god*. Whatever on that. The tape is BRUTAL. Fuck you. - JC   (* he made me say that) for fans of Gerogerigegege, Kate Bush, Anal Cunt, Festering Puke, 7 Minutes of Nausea Edition of 100 (out of print) Bandcamp Discogs</image:caption>
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      <image:title>Discography - NRR56: Brett Naucke - "Operator Voices"</image:title>
      <image:caption>A1    Receptionist    4:45 A2    Bronze Capacitor    4:52 B1    Voice Lessons    4:51 B2    Operator    4:53 Operator Voices is four new modular pieces from Chicago based composer Brett Naucke. Edition of 100 Bandcamp Discogs</image:caption>
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      <image:title>Press - Form Destroyer #47</image:title>
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      <image:title>Press - Memory Wave Transmission: Stroker "The Bitch"</image:title>
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      <image:title>Press - Free Form Freakout:   Favorite Music of 2016</image:title>
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      <image:title>Press - DIRTY DIRT:   BUYING LIST JULY 17</image:title>
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      <image:title>Press - Heathen Harvest’s Best of 2015 / Best of the Quinquennium</image:title>
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      <image:title>Press - TONE MADISON:   The Top 20 Madison Records of 2017  </image:title>
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